Showing posts with label painting. Show all posts
Showing posts with label painting. Show all posts

12/27/12

You Should Make a Painting - I Did


I haven't painted in about six months. It feels good. I have a room in my house that is my studio. I've been absolutely ill for the last three days, and that's always a great time to make gesso. I make my own gesso and my own oil and acrylic paint. I think that alone is well-worth a very expensive art school education. Here's an article from 37 Signals, telling you to paint. 37 Signals is a company that makes amazing web-based applications in Chicago, and they have an interesting blog about all kinds of things.  I agree that you should make a painting but I have some qualifiers.  but I'll let you read the article, and then scroll below for my comments:

























1. "Don't use crappy paint" Use decent paint. It's a waste of time and money. Don't get one of those all-purpose packs of different colors, either. Pick out the colors you like one by one. It's more fun to make paintings with colors you are excited about. If you want a list of basics, get: Cadmium red, cadmium yellow, titanium white, burnt sienna, yellow ocre, ultramarine blue, phthalo green, carbon black. That's enough to make a huge range of colors. You should choose some special ones that you like, too.

2. "Get something to paint on. Canvas works. Do you have your own woodshop and like to make things ten times more complicated than they need to be? No, then don’t stretch your own canvas. " Please either stretch your own canvas or get some panels if you don't want the hassle. Store-bought canvas (unless purchased from an art student) is totally unusable, in my opinion. It's so much more fun to have a good-quality surface with good-quality gesso and good-quality canvas or linen. It doesn't matter if you don't think your paintings are very good. You might as well enjoy the process of painting, and an important part of that is using good-quality materials. You should get a bunch of canvas, some heavy-duty stretcher bars (all of this blick or other companies will ship to your house), a staple gun, staples, and watch this youtube video.

3. "Rig up an easel. You can paint on a tabletop or on the floor, but I think it is really important to learn how to paint from a vertical position." Why? Also, it's cheaper just to put some plastic on the wall, and some brown paper, and put a couple of nails in the wall and hang a canvas on that and paint.

4. "Your painting is going to suck. Don’t worry about it." Not necessarily. It might be good. Don't worry about good or bad. It's not really your job to decide what's good and bad anyway, as you are not an art critic. Just make a painting, and if you find yourself stagnating or getting to comfortable, try something that makes you uncomfortable. Or violently ill, even.

5.  "Think about what color you want to make when you are mixing. Mixing paint is way cool, but have a plan in mind." It's good to do this, but also good to not think too hard and go by intuition sometimes, and see what works for you. I do both, and I think it's important to not rule any practices out.

6.  "Don’t squirt random colors next to each other and mush them together. That will only create a bunch of dirty, ugly colors." Some of my favorite colors are dirty colors all mushed together. I absolutely love the complex colors mixing a bunch of stuff together can create.

7. "Adding white often helps." Adding white never helps. Adding white makes things washed out, quite literally. It decreases the pigmentation and makes colors less vibrant. White is great, when it is used as white or a white-synonym. Try making colors based on what is next to them. Yellow, blue, green can all look white when put next to certain colors. There are no rules, though. White can sometimes be a crutch, so look out for that.

 8. "Avoid adding black to colors to make them darker. That’s bush league. " I think he's trying to say that black can be a crutch, too. I often mix black and purple together to make lovely purple-black, or black + phthalo green makes green-black. Also, very purple and very green and very blue and very brown can become black, no need to add anything labeled "black. They will often be more engaging to the eye since they are more vibrant, even though they may look completely black.

9. "Only jerks try to sell art" Just don't try to sell your art to your friends. It's more useful to have them come over to talk about your paintings, and get their feedback. Ask them for emotions or metaphors they think of when they look at your work. Ask them for positives and negatives, and take both with a grain of salt. Having someone tell you that your art sucks, and that your ideas and your very being suck by association, is one of the most awful and freeing things that will ever happen to you. Knowing that you can and do have dumb ideas, and that that is completely irrelevant, will free you to focus on your vision. Follow your vision to the letter, regardless of criticism or praise, even if you can only devote 1 hour a week to it, and you'll have a much better chance of having a fulfilling life.

All in all, I really liked the article, which was written by an artist who went to some art schools in Chicago, like I did! Also, for a bit of a bonus, I've created a list at Blick.com so that you can get started without thinking too hard about details. 

11/10/12

What to Do the Morning of an Event


This is my pile for taking to the cooking class today. Thank goodness I'm taking a cab. I'm bringing extra pots, pans, measuring cups, bowls, and cutting boards for the chef. I'm also bringing branded pens and notebooks for people to write notes down during the class. The pile in front is small napkins, just in case, a pile of gift cards for the venue owner, who is giving us the use of his space for free (I also bought him this), a blue sharpie, some extra twine, the sign in sheets and a little picture frame with the company logo in it, and the mini-menus for the table (more about those later). Whew. Now for some useful information: The best way to make your morning stress-free when you have an event later that day, even in the evening, is to complete everything the night before and set it out in organized piles by the front door. 
Here are the only things you should be doing the day of the event: 
  1. Re-confirming meeting times with staff, vendors, venues or calling people to tell them you are on your way
  2. Working out
  3. Getting ready (clothes should still be picked out the day before, ideally)
  4. Eating a healthy meal
  5. Calling or scheduling a driver or cab
That's it. Does it require super-human organization? No, just regular-human organization, and a good support system. 



11/22/10

Last third of my folding screen

Each panel is 15"x24".

11/21/10

I'm in a show called TOUCH


The School of Art & Design at the University of Michigan. The show is in Detroit so I probably can't go since it's 5 hours away.

Here's a link with some information about the show: http://art-design.umich.edu/exhibitions/detail/touch.

TOUCH runs from 12/3 - 12/24. The reception is December 3rd from 6-9pm.

This is the piece that will be in it:

11/20/10

2/3 of a completed folding screen


The title of the final piece will probably be something like Folding Screen. Acrylic, watercolor, gouache, charcoal, sumi-e ink, and graphite and collage on canvas. I'm not sure of the sizes.

11/7/10

In progress

Goat, small pond, shed and garden, acrylic, watercolor, gouache, colored pencil and graphite on canvas, 16" x 18"
Basketball court and forest, Acrylic, watercolor, gouache, and graphite on canvas, 16" x 18"
Dress and flowers in a room, Acrylic, watercolor, graphite, and collage on canvas, 16" x 18"
Wreath with flowers, graphite, collage, colored pencil, acrylic, watercolor, and gouache on paper, 22" x 30".

10/25/10

A Sculpture



The sculpture is made of agar agar (an alginate gel that is clear) and gold leaf.

This is the piece after two weeks. It has developed beautiful mold.

10/14/10


Birch trees with landscape, acrylic, watercolor, gouache, pva, collage, graphite, and charcoal on canvas, 32" x 58".

10/13/10


Untitled, Graphite transfer and collage on paper, 14" x 17"

10/6/10

Waterfall painting, and also I am in a show

Waterfall and gray foliage, acrylic, watercolor, gouache, graphite, and collage on canvas, 46" x 38".

I am in a show called 2D Representations of Natural Phenomena this Friday, and it will be up all month. Here is the facebook link: 2D Representations of Natural Phenomena
I will take pictures of the show.

Gray painting, done!

Gray flowers and girl, distemper, acrylic, graphite, and charcoal on canvas, 46"x 38".

9/22/10

Gray painting- in progress

46" x 38" I think....Distemper on canvas.

Untitled, graphite, colored pencil, and collage on paper. 14" x 17".

New Drawings from Fall 2010

Disney trees and teeth, colored pencil and charcoal on paper. 14" x 17".

Untitled, colored pencil and graphite on paper. 14" x 17".

Untitled, watercolor, charcoal, collage on paper, 18" x 23.5".

My first painting of the semester

Untitled, acrylic, gouache, watercolor, collage, and charcoal on paper, 45" x 30".

6/12/10

Work from a new show

I was in a show called Employed this week. I arrived on Thursday evening with 9 other artists and started working until yesterday at 4pm. All the work that people made during that period was hung in the gallery. There were also two installation pieces put up in the work room that we were in. I only took a few pictures of my own, but when I find the ones taken by others I'll post them as well. Here's the work I made:


Wire mother, Acrylic, watercolor, gouache, and charcoal on canvas, 36" x 38"

Unknown at this time, Acrylic, watercolor, gouache, and charcoal on canvas.


I don't remember the size of this one, but it's slightly smaller than the other. I'll post the other pictures later.

6/6/10


I sat in the car, 1
8" x 24", graphite transfer on paper

It's so hard to take photos of graphite. I'm not sure why it's so grainy...